Urs Fischer Natural order

In the luminous studio, nude women recline gracefully on couches. One of them, gleaming in the sun that streams through the skylight, looks as if she has been dipped in liquid gold like the woman in Goldfinger. Another, partly veiled in white oil paint,ย echoes Venus Victrix, Antonio Canovaโ€™s seminude life-size statue of Paolina Borghese, sister of Napoleon. And, a third one lies untouched on a sunny colored couch that matches the color of her bystanders, three men made of foam.

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