From left to right: Maro Michalakakos "In Orbit (Specimen 0)," 2021; Kleopatra Tsali "Arrangement No. 4," 2023
5-7-5

Venue: ARTFLYER space for the Arts, Athens, Greece

Dates: June 5 – September 5, 2025
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Curated by: Alexia Antsakli Vardinoyanni

Exhibition Overview 

ARTFLYER presents 5-7-5, a group exhibition featuring 24 contemporary Greek artists. The exhibition draws inspiration from the minimalist and contemplative form of the Japanese haiku, as well as from the literary and philosophical legacy of Nobel Laureate George Seferis and intellectual Zissimos Lorenzatos. The title 5-7-5 refers to the haiku’s traditional syllabic rhythm (three lines of 5, 7, and 5 syllables) and serves as a point of departure for exploring the power of transformation through subtle shifts in perception and structure. At the core of the exhibition is a letter from Seferis to Lorenzatos, in which the poet reflects on a haiku by Matsuo Bashō, referencing Bashō’s advice to his disciple Kikaku: to reverse the poem’s structure as an act of reverence for all living beings.

From:

Une libellule
Enlevez-lui les ailes
Un piment

(a dragonfly /remove its wings / a pepper)

To:

Un piment
Enlevez-lui les ailes
Une libellule

(a pepper / give it wings / a dragonfly)

Seferis adopted this emotional and conceptual shift, from gravity to grace, from darkness to light, to transform his poem Thrush into a verse of renewal and inner clarity. In 5-7-5 the twenty-four participating artists respond to the models of Bashō and Seferis through works – painting, sculpture, photography, and installation — each of which, like haiku, a meditation on light, transformation and the dynamics of inner or collective change.

The exhibition is hosted in the former residence of Zissimos Lorenzatos, who also experimented with the haiku form by composing a series of 24 poems, one for each letter of the Greek alphabet, later compiled in the collection Alfavitari (meaning “Alphabet Book” in Greek). Thus, within a space of profound cultural and intellectual resonance, the artworks engage in a dialogue with the poetic and philosophical thought of both thinkers, and the timeless clarity of haiku meets the fluid language of contemporary art. Through contemplative curation we are introduced to a new alphabet – 24 visual meditations, organized into six themes inspired by the haiku of Lorenzatos: orientation, desire, ephemera, rhythm, metamorphosis, and memory. Haiku in both form and spirit, these works evoke wonder, light, and change.

 

Participating Artists (in alphabetical order): Olga Alexopoulou, Dimitrios Antonitsis, Zetta Antsakli, Astronauts (Danae Dasyra & Joe Bradbford), Alexandra Athanassiades, Eleni Bagaki, Manolis Charos, Nikolaos de Grèce, Maria Joannou, Evi Kalogiropoulou, Marina Karella, Aristides Lappas, Eugenie Livanos, Iliodora Margellos, Maro Michalakakos, Irini Miga, Olga Migliaressi-Phoca, Malvina Panagiotidi, Rallou Panagiotou, Angelo Plessas, Dimitris Polychroniadis, Kleopatra Tsali, Antrea Tzourovits, Kostis Velonis 

Rallou Panagiotou "Outdoor Shower Cameo Blue," 2016
Malvina Panagiotidi "The summer night is like a perfection of thought," 2024
Nikolaos de Grèce, H₂0rizon, 2018.
Detail from Marina Karella’s “Silent Memory,” 2023
Angelo Plessas "Talisman Piece 1," 2015
Zissimos Lorenzatos

Alfavitari (Alphabet Book in English)

A poetic palette of twenty-four cards, bound in a booklet that unfolds in a fan-like bloom, was conceived especially for the exhibition. Each card displays a haiku by Zissimos Lorenzatos.

Zissimos Lorenzatos’s twelfth haiku (in free translation):


“A diamond cuts
through the utter silence
the first nightingale.”

In this haiku, the theme of rhythm emerges, aligning works that share an innate rhythmic quality.

Antrea Tzourovits "Racket," 2023
Olga Migliaressi-Phoca "Forever Young," 2025
Manolis Charos, "Morning light glimmers/ over hills and open fields/ like a newborn stream," 2024
Olga Alexopoulou "Finally the Waves," 2012
Maria Joannou, "Untitled," 2023
Eugenie Livanos "Numb," 2024
From left to right: Evi Kalogiropoulou "Blue Ladies," 2025; Zetta Antsakli "Waves," 2025
Dimitris Polychroniadis takes over the garden house to create a space-capsule environment featuring the works "S66-63639_G12-U," 2024, and "MA-6-40452-075," 2024
Irini Miga "When the Birds Come, I Will Sing Along," 2024
Eleni Bagaki "Bodies (I & II)," 2025.
Iliodora Margellos "Securities (Eclipses Are Temporary)," 2021
Astronauts (Danae Dasyra & Joe Bradford) "Penetrate Lamp," 2023
Zissimos Lorenzatos

Alfavitari (Alphabet Book in English)


Zissimos Lorenzatos’s thirteenth haiku (in free translation):

“Where is the end?
In the beginning was the Word,
we stand in the middle.”

This haiku formed the thematic thread of memory, aligning works that use storytelling and found objects to weave past into the present.

Dimitrios Antonitsis, "Kundalini Arithmetics ( Abacus Series)," 2022
Alexandra Athanassiades "Safety is an Illusion," 2017
Zissimos Lorenzatos

Alfavitari (Alphabet Book in English)


Zissimos Lorenzatos’s twenty-first haiku (in free translation):

“All through the night
the mast and the stars
played seesaw.”

This haiku established the theme of orientation, bringing together works that reflect on direction and position, geographical, celestial, and inner.

Iliodora Margellos "Securities (Eclipses Are Temporary)," 2021; Aristeidis Lappas "Woman with Straw Hat Holding a Basket," 2025 A room centered on the notion of ephemera
From left to right: Kostis Velonis, Rambling Starlight (Redemption of Christ), 2024; Astronauts (Danae Dasyra & Joe Bradford), Penetrate Lamp, 2023; Marina Karella, Silent Memory, 2023; Nikolaos de Grèce, H₂0rizon, 2018.
Night view of ARTFLYER Space of the Arts at the time of the installation.

All photographs and text © 2025 Alexia Antsakli Vardinoyanni