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Exhibitions
5-7-5
ARTFLYER presents the group exhibition 5–7–5, featuring 24 contemporary Greek artists. Inspired by the poetic form of the haiku and the dialogue between Nobel Laureate George Seferis and thinker Zissimos Lorenzatos, the exhibition explores clarity, simplicity, and transformation.
Participating artists: Olga Alexopoulou, Dimitrios Antonitsis, Zetta Antsakli, Astronauts (Danae Dasyra & Joe Bradford), Alexandra Athanassiades, Eleni Bagaki, Manolis Charos, Nikolaos de Grèce, Maria Joannou, Evi Kalogiropoulou, Marina Karella, Aristides Lappas, Eugenie Livanos, Iliodora Margellos, Maro Michalakakos, Irini Miga, Olga Migliaressi-Phoca, Malvina Panagiotidi, Rallou Panagiotou, Angelo Plessas, Dimitris Polychroniadis, Kleopatra Tsali, Antrea Tzourovits, and Kostis Velonis.
Curated by Alexia Antsakli Vardinoyanni
The Tenth Anniversary
The Tenth Anniversary exhibition celebrated ten years of www.artflyer.net.
Presented in Athens in 2021, it brought together leading Greek and international artists whom Alexia Antsakli-Vardinoyanni had photographed and interviewed.
Each participant contributed a work or personal object reflecting their creative identity.
Participants included Adel Abdessemed, Ron Arad, Tony Cragg, Urs Fischer, Jacques Grange, Dakis Joannou, Marina Karella, Mary Katrantzou, Harold Koda, Christian Louboutin, Jean-Michel Othoniel, Nicolas Party, Laudomia Pucci, Imran Qureshi, David Shrigley, Kiki Smith, Joana Vasconcelos, Bethan Laura Wood, and Erwin Wurm.
Curated by Alexia Antsakli Vardinoyanni
100 Chairs in 100 Days - A Platonic Interpretation
In 100 Chairs in 100 Days, designer Martino Gamper transforms discarded chairs into new creations, revealing the beauty of process, imperfection, and play.
Alexia Antsakli Vardinoyanni’s curatorial approach draws on Platonic philosophy, positioning the project as a dialogue between the ideal and the real, between the notion of a perfect chair and the tangible, improvised object.
Through this lens, the exhibition celebrates experimentation and craftsmanship, encouraging viewers to reflect on how ideas take form through time, creativity, and chance.
Gamper’s practice is presented as a philosophical inquiry into the ways design mediates between abstraction and lived experience, proposing that the perfect chair, like the perfect form, does not exist, only infinite variations in its pursuit.
Curated by Alexia Antsakli Vardinoyanni