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The Costume Institute’s spring 2017 exhibition will examine the work of Japanese fashion designer Rei Kawakubo, known for her avant-garde designs and ability to challenge conventional notions of beauty, good taste, and fashionability. Read more
Taking as its focus one of The Met’s most captivating masterpieces, this thematic exhibition will afford a unique context for appreciating the heritage and allure of Circus Sideshow (Parade de cirque), painted in 1887–88 by Georges Seurat (1859–1891). Read more
Pace Gallery is pleased to present Kenneth Noland: Into the Cool, an exhibition of never before exhibited works from the end of the groundbreaking artist’s life. These paintings, completed in a subtle color palette, present a new approach to both material and technique. Read more
Fast Forward: Painting from the 1980s presents a focused look at painting from this decade with works drawn entirely from the Museum’s collection. In the 1980s, painting recaptured the imagination of the contemporary art world against a backdrop of expansive change. Read more
This exhibition is the first major retrospective in the United States of works by Italian painter, sculptor, and installation artist Marisa Merz (born 1926), the sole female protagonist of the Arte Povera movement. Read more
Gagosian is pleased to present new paintings and sculpture by Katharina Grosse. A prominent figure on the international art circuit, this is her first gallery exhibition in New York and at Gagosian, following a series of significant public commissions in the U.S. in recent years. Read more
Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction is a comprehensive survey of Picabia’s audacious, irreverent, and profoundly influential work across mediums. This will be the first exhibition in the United States to chart his entire career. Read more
In the luminous studio, nude women recline gracefully on couches. One of them, gleaming in the sun that streams through the skylight, looks as if she has been dipped in liquid gold like the woman in Goldfinger. Another, partly veiled in white oil paint, … Read more
He wears a perfectly tailored suit, round glasses and polished shoes. With neither pride nor pretension, he stands next to three dress forms and smiles with modest assurance. He is showing three examples of design suffused with Asian references: an ethereal Valentino dress … Read more
It’s 10 am on the High Line in New York City, and two women in red cocktail dresses walk down the old railway turned greenway one after the other, each holding a book to her chest. Curator and director of the public art program for the High Line, … Read more
